[S3E13] Tell All Part 2
Has Major faced some serious hardships? yes. Was it enough to justify all of this? Nah, sorry, Major. People go through sh*t all the time, not everyone responds by taking part in the mass infection of a population.
[S3E13] Tell All Part 2
It was cool to see Vance and Jared team up since they rarely share any scenes, but their partnership didn't last very long since Jared figured out that he and Saanvi were involved in murdering The Major and covering it up.
In the summer, musician Andrew Stein played mandolin for show musician William Anderson on a short cue for an episode of the third season,[8][9][10][11] and Stein wrote in early November 2012 that "Apparently it's in the season finale this year"[12] and that it "almost didn't happen" as it was "extremely lucky" that their schedules coincided for it;[13] however, Anderson ended up not having any role in the episode at all, as Daniel Ingram and Steffan Andrews received the only music credit. Stein later confirmed that his mandolin part was cut along with Anderson's work when the music production shifted entirely to Ingram and Andrews.[14] In early August 2012, Anderson wrote that "thirteen already exists"[15] and quoted a subsequent response "You could also interpret him as saying that 313 has already been completed, probably ahead of some of the others, but since I'm just some random nobody, I'd have no idea why they would do that"[16] with his own response "You don't?"[17]
One week prior to the episode airing on TV, the episode was shown early at The Hub's Princess Coronation Concert event in Los Angeles.[20] On February 15, 2013, Meghan McCarthy announced on her Twitter page that the season three finale will have continuity into season four as it will be separated into three parts, with season three's finale being served as the first part of a three-part story.[21]
Twilight and a very sleepy Spike go to Fluttershy's cottage (which, according to Rarity, is actually Rainbow Dash's cottage) to find out what's going on. They find a sullen Rainbow Dash inside and open the cottage door to the sight of dozens of woodland animals running amok. What's more, Rainbow Dash has Fluttershy's cutie mark. Twilight finds Fluttershy at Sugarcube Corner with Pinkie Pie's cutie mark, trying to make ponies laugh. Pinkie Pie, wearing Applejack's mark, is trying her best to manage Sweet Apple Acres, and Applejack (with Rarity's mark) is at Carousel Boutique trying to make dresses. Each of Twilight's friends fail miserably at their new tasks and are clearly unhappy, but they sing that they are just doing what their cutie mark is telling them to do, that it's their destiny to do so.
Back at the cottage, the situation is even worse than before: Rainbow Dash is tied up in a pot, with the animals dancing around her. Fluttershy asks Twilight for a spell, but Twilight refuses and tells her to handle the animals. Fluttershy steps in to feed the woodland creatures, and they instantly calm down and warm up to her. She begins to glow, realizing that this is what she's meant to do, that this is her destiny. Twilight then places the element of kindness on Fluttershy. In a burst of comprehension, Fluttershy finally remembers who she is, and her cutie mark returns to normal.
Lancelot cannot keep his eyes of Gwen. Arthur leads them to an abandoned castle that belonged to the ancient kings. He tells them to search the place and see what they can find. Gwen gets busy lighting old candles. I love that Percival comforts Gaius. There is such a gentleness to him. They find weapons, which is a good thing.
Number of times Rory or Lorelai treat their bff like shit:Lane and Sookie are forced to do irritating tasks multiple times because Lorelai is a shit event planner. Seriously, who the hell allows their client to change a party theme multiple times? Sookie worked hard on a golf ball cake and Lane acquired flags, only to find out that Ridgemont changed his retirement party theme for the fourth time. Those two should revolt until Lorelai wises up and learns how to write a contract that doesn't drive everyone fucking insane.
Lorelai: You need to tell me why you're sitting like that.Sherry: Maureen told me that Howard Stern said that if you squat it makes the baby come out faster.Lorelai: Okay, as long as you have a sane reason from a reliable source.
Construction on Taylor's soda shoppe is still in full swing and Miss Patty is l-o-v-i-n-g it. As far as I can tell, she hangs out next to the worksite all day, hoping to catch an outline of peen admist the hustle and bustle.
Young Lorelai is played by Chelsea Brummet, who is best known for her regular role on "All That." I don't think she's necessarily a bad match for the part, but the writing here sets her up to fail miserably. Young Lorelai is supposed to be wild and fun, not the type of dipshit who says things like, "Well, the word 'whoopee' comes to mind." And of course, I think it's risky to expect anyone who isn't Lauren Graham to do Lorelai Gilmore justice.
In the final flashbacks, we see Christopher at the hospital with teen Lorelai, looking at Rory in the nursery and musing that it's now time for them to get married. The look on Lorelai's face says, "ugh, no thanks." Later, as Emily and Richard prepare to leave for the symphony, they find a note that presumably explains Lorelai's departure. We're not told what it says, but I assume it's something like this:
On Episode 13 of Season 3 of the Securities Compliance Podcast: Compliance in Context, host Patrick D. Hayes is joined by Debbie Hennelly, founder of Resiliti and an expert on organizational resilience by creating cultures of integrity, innovation, and inclusion, to discuss how to handle the physical and mental parts of being a compliance officer. In the Headlines section, Patrick looks at the recently published SEC Enforcement numbers and reviews the recent rulemaking on the investment adviser oversight of service providers. Finally, Patrick wraps up the show with another installment of History Has Your Back, where he examines the life of Eve Ball and embracing a new perspective as we enter into the season of annual compliance reviews.
Detective John Raglan is loading a gun as his eyes wander over the news clippings and documents that outline his life and career. He puts the gun to his head and cocks the hammer. But instead of shooting himself, he calls Kate Beckett. There are things about her mother's case, things he has to tell her. He wants to meet with her at a coffee shop in an hour. Just her and no other cops.
Ryan's rundown of Raglan's associates went pretty fast: he had no associates. He was retired, a widower, and his only friend was his old partner, Gary McCallister. McCallister doesn't want to talk at first. New York City was a different place twenty years ago, and policing it took a very different kind of cop. He doesn't want any part of tarnishing his best friend's memory, but he's finally convinced to cough up a name.
At home, Castle has to face his superior officer: his mom. Martha saw news of the shooting and is terrified of losing her son. Castle is surprised at the depth of her emotion for him. She tells him that if he's going to keep doing this, he needs to recognize the risks and admit to himself why he's doing it. Martha reminds him he wrote almost thirty novels without needing to spend every living day in a police station. Castle responds that it isn't about the books anymore.
Kate is home, crying. Josh is in Africa saving the world, but fortunately Castle shows up to save her, with flowers. He points out that the best fictional policemen do their best work after they've been booted off a case. Kate points out that they also have a plucky sidekick. Castle offers to steal her mother's case file, but Kate has a better idea. Behind a shuttered window in her apartment, she secretly keeps her mother's murder board. She's never shown it to anyone else before. She started this new one in her new apartment over the summer, while Castle was in the Hamptons with Gina. It's easy for Castle to forget, but Kate lives with this case every day.
Meanwhile, Ryan and Esposito have tracked down Kathy Moore, the woman whose key card was stolen. She did sleep in late, so the pair get two things from her: a frenetic review of her love life, and a fingerprint. The fingerprint leads to thirty-two-year-old, Hal Lockwood. His sparse record suggests that it's a cover ID. His credit card is still active, and in fact shows a current residence: a corporate suite in midtown. The police arrive in force to arrest him, but the apartment is empty. They find some pills, weapons, surveillance equipment, and photos of Beckett.
Captain Montgomery briefs Kate on the threat at her apartment. He caught Castle in the men's room rummaging through the old files, and Kate begs him to let them back onto the case. He refuses and places a protective detail on her.
Castle returns to Beckett's apartment with a file. She's holding her gun as she lets him in, alert to the threat of Lockwood. She asks Castle to quit the case. He's not a cop and it's too dangerous. Castle refuses, which leads Beckett to ask the same question as Martha. Why does he keep doing this? He doesn't reply directly. Instead, he tells her that, like it or not, he's her plucky sidekick. She points out that the plucky sidekick always gets killed. Castle glances at the open curtains, and then intentionally sits down right in front of them on her couch.
Pulgatti is still in prison for the murder. He pled guilty to avoid the death penalty but denies being the murderer. He claims he was a witness, though. Three men in ski masks had accosted them in the alley, trying to kidnap them. When Armen tried to resist, he was shot and killed. It wasn't a rival mob family: there was a group of professional kidnappers attacking all five families at the time, and a truce was in place while they all worked to shut them down. So how did Raglan place Pulgatti in the alley if the only people there besides Pulgatti and Armen were the kidnappers? Was Raglan part of the kidnapping ring? 041b061a72